Preliminary study plan
Morning study
|
Scientific Department |
Fine |
Theater |
Music |
Audiovisual |
Technical Education |
Total |
|
Total number |
100 |
100 |
60 |
60 |
100 |
420 |
Evening study
|
Scientific Department |
Fine |
Theater |
Music |
Audiovisual |
Technical Education |
Total |
|
Total number |
100 |
100 |
60 |
30 |
- |
290 |
Admission controls at the Faculty of Fine Arts and its division:
1- Students who graduate from preparatory (scientific and literary) and vocational study branch of applied arts are entitled to apply for admission from those with rates of less than 60% 000
2- Graduates of the Institutes of Fine Arts and the Institute of Musical Studies are entitled to admission, with rates of at least 65%000.
3- The first graduates of the Institute of Crafts and Folk Arts in the Arts Department of the Ministry of Culture are entitled to apply to graduates of L (5%) at least 65%, 000.
4- Admission of students from al-Fanin in accordance with the admission regulations mentioned in paragraph (1) after submitting a book from the Iraqi Artists' Union supporting the fact that the parents of the student (father or pain) are artists 000
5- Admission of talented students with a total of less than (520) to other professional branches and an average of (65%) who have technical talents after taking the test in college and presenting the talented student two or more of the following commitments:
- Proof of his practice of art from official art institutions
- Folds (voldrat) posters (posters)
- Photos of paintings they participated in exhibitions (international, Arabic, local)
- Identity or book from the Iraqi Artists Syndicate
- Videos or CDdocumenting his artistic activities 0
6- Determining the ratios within the acceptance plan
- Graduates of the scientific branch (35%)
- Graduates of the literary branch (25%)
- Graduates of the professional branch (applied arts) by (15%)
- Included in paragraph (2) above by (15%)
- Included in paragraph (3) above (10%)
- Controls and conditions for admission to evening school at universities
- General conditions of admission /
- Iraqi nationality
- He holds an Iraqi preparatory school certificate, supported by a certificate from the Directorate General of Education in the province or a certificate equivalent to it.
- Students graduating from the preparatory school of the two branches (scientific and literary) are entitled to evening study, with a total of not less than 420 at a rate of (60%)
- Graduates of the morning and evening vocational preparatory study of the branch (industry, agriculture and applied arts) are entitled to apply for evening study according to the corresponding disciplines, if they do not exceed 10% of the admission plan for the college or the commercial branch, so that their percentage is more than 10% of the college admission plan and at a rate of at least 60%
Reception Committee for New Students
|
to |
Full name |
Department or unit |
|
1 |
M. Dr. Hazem Abd El, Majid Ismail |
Director of the Student Affairs Unit |
|
2 |
M. M Raed Hassan Shri |
Department of Fine Arts |
|
3 |
M. M Hassan Taleb Janzi |
Department of Technical Education |
|
4 |
M.M. Abdul Karim Hamid Nader |
Department of Musical Arts |
|
5 |
Mr. Ziad Adnan Mahmoud |
Registration Officer |
|
6 |
Mr. Ayman Kazem Magams |
Department of Audiovisual Arts |
|
7 |
Ms. Saji Yasser Hussein |
Department of Performing Arts |
Department of Fine Arts / Evening Study:
|
to |
Student name |
Student specialty |
Search address |
The name of the supervisor |
Supervisor's specialty |
|
1 |
Yasmin Mohamed Abdel , Latif |
drawing |
Color semantics in contemporary Iraqi painting |
Dr. Sabah Al-Shaya |
earthenware |
|
2 |
Sabah Abdul , Zahra |
drawing |
Formative construction in the works of artist Racan Debdoub |
Dr. Sabah Al-Shaya |
earthenware |
|
3 |
Hussein Radhi |
drawing |
Design aesthetics in Diaa Al Azzawi's drawings |
Dr. Sabah Al-Shaya |
earthenware |
|
4 |
He sacrificed God's goodness |
drawing |
The impact of the environment in the works of the painter Saad Al-Taie |
Dr. Sabah Al-Shaya |
earthenware |
|
5 |
Issr al, Sabri |
drawing |
Texture in the paintings of painter Kazem Haidar |
Dr. Sabah Al-Shaya |
earthenware |
|
6 |
Elaf Kadhim |
drawing |
Stylistic development in the works of the painter Hafez al-Daroubi |
Dr. Sabah Al-Shaya |
earthenware |
|
7 |
Zainab Abdul Amir |
drawing |
Color semantics in the works of the painter Mohamed Mehreddine |
Dr. Sabah Al-Shaya |
earthenware |
|
8 |
Muthanna Abdul , Wahab |
drawing |
Popular heritage and its reflection on contemporary Iraqi painting |
Dr. Sabah Al-Shaya |
earthenware |
|
9 |
Hamed Ramadan |
drawing |
Features of the speech in the works of the painter Hashim Hanoun |
Dr. Sabah Al-Shaya |
earthenware |
|
10 |
Nahrin Abd El , Nabi |
drawing |
Islamic heritage and its influence on contemporary Iraqi painting |
Dr. Sabah Al-Shaya |
earthenware |
|
11 |
Safa Tariq Abdul , Rida |
drawing |
Artistic features in the works of painter Faraj Abbou |
Dr. Sabah Al-Shaya |
earthenware |
|
12 |
Noor Ali Saadoun |
drawing |
Rhythm in contemporary Iraqi painting |
Dr. Sabah Al-Shaya |
earthenware |
|
13 |
Nizar's loyalty |
earthenware |
Popular heritage and its interpretation in contemporary Iraqi ceramics |
Dr. Sabah Al-Shaya |
earthenware |
|
14 |
Iman Muhammad |
earthenware |
The aesthetic of the symbol in contemporary Iraqi ceramics |
Dr. Sabah Al-Shaya |
earthenware |
|
15 |
Basma Kamel |
earthenware |
Artistic characteristics in Islamic ceramics (Abbasid and Fatimid period) |
Dr. Sabah Al-Shaya |
earthenware |
|
16 |
Haidar Khudhair |
earthenware |
The formal structure of contemporary Iraqi ceramics |
Dr. Sabah Al-Shaya |
earthenware |
|
17 |
Haidar Amer |
earthenware |
Contemporary Iraqi porcelain between function and beauty |
Dr. Sabah Al-Shaya |
earthenware |
|
18 |
Sabah Kassem |
earthenware |
The color structure of contemporary Iraqi ceramics |
Dr. Sabah Al-Shaya |
earthenware |
|
19 |
Rafid Mansour |
earthenware |
Semiotics in contemporary Iraqi ceramics |
Dr. Sabah Al-Shaya |
earthenware |
|
20 |
Khaled Fadel |
earthenware |
Islamic symbol and its reflection in contemporary Iraqi ceramics |
Dr. Sabah Al-Shaya |
earthenware |
|
21 |
Zainab Kazim |
earthenware |
Stylistic features in the work of Potter Saad Shaker |
Dr. Sabah Al-Shaya |
earthenware |
|
22 |
Anaam Ahmed Amin |
drawing |
Classic and ideal aesthetic origins in the art of painting |
M.D. Ali Al-Kanani |
carve |
|
23 |
Haidar Salem Issa |
drawing |
Collage technique (study in the aesthetics of form) |
M.D. Ali Al-Kanani |
carve |
|
24 |
Rasha Jabr Jasim |
drawing |
Intellectual and conceptual dimensions of Cubist art |
M.D. Ali Al-Kanani |
carve |
|
25 |
Bye Ahmed Atta |
drawing |
Aesthetic compositions in the works of the artist Jawad Salim |
M.D. Ali Al-Kanani |
carve |
|
26 |
Ali Sagit Hadi |
drawing |
Abstraction and the philosophy of beauty in contemporary Iraqi painting |
M.D. Ali Al-Kanani |
carve |
|
27 |
Faiq Shahid Mohammed |
drawing |
Formal organization in the works of the artist Rafi Al-Nassiri |
M.D. Ali Al-Kanani |
carve |
|
28 |
Gracious Kamel Atti |
drawing |
Symbolic employment in contemporary Iraqi painting |
M.D. Ali Al-Kanani |
carve |
|
29 |
Maher Sami Touma |
drawing |
The diversity of materials in contemporary Iraqi painting |
M.D. Ali Al-Kanani |
carve |
|
30 |
Mohamed Abdel , Latif |
drawing |
Stylistic variations in paintings by Iraqi painters |
M.D. Ali Al-Kanani |
carve |
|
31 |
Noor Aqeel Abdul Karim |
drawing |
The real-life school's influence on the work of the artist Faiq Hassan |
M.D. Ali Al-Kanani |
carve |
|
32 |
Musab Kazem Ibrahim |
drawing |
Aesthetic dimension in 2D design |
M.D. Ali Al-Kanani |
carve |
|
33 |
Hiba Hani Abdulhadi |
drawing |
Babylonian art and its reflection in Iraqi painting |
M.D. Ali Al-Kanani |
carve |
|
34 |
Wadih Saeed Nouri |
drawing |
Arabic calligraphy in the painting |
M.D. Ali Al-Kanani |
carve |
|
to |
Student name |
Student specialty |
Search address |
The name of the supervisor |
Supervisor's specialty |
|
35 |
Sure Rahim Mezher |
drawing |
Aesthetic dimensions in contemporary Iraqi painting |
M.D. Ali Al-Kanani |
carve |
|
36 |
Iman Khalil Mumtaz |
drawing |
The development of painting in the Arabian Gulf |
M.D. Ali Al-Kanani |
carve |
|
37 |
Amal Mohamed Dhiab |
carve |
Semantics of form in contemporary Iraqi sculpture |
M.D. Ali Al-Kanani |
carve |
|
38 |
Anwar Qusay Nuri |
carve |
Experimentation in contemporary sculpture |
M.D. Ali Al-Kanani |
carve |
|
39 |
Abdullah Aus Najm |
carve |
Intellectual references in contemporary Iraqi sculpture |
M.D. Ali Al-Kanani |
carve |
|
40 |
Elaf Ahmed Mohammed |
carve |
The impact of European schools on contemporary Iraqi sculpture |
M.D. Ali Al-Kanani |
carve |
|
41 |
Russell Hashem Abdulqadir |
carve |
Artistic features in Acadé sculpture |
M.D. Ali Al-Kanani |
carve |
|
42 |
Abd Al , Mohsen Nizar Abd Al , Salaman |
carve |
The influence of the art of eastern civilizations in modern European sculpture |
M.D. Ali Al-Kanani |
carve |
|
43 |
Aqeel Jabbar Ahmed |
carve |
Documenting sculptures in basra city spaces (analytical study) |
M.D. Ali Al-Kanani |
carve |
|
44 |
Fatima Majid Abdul Sada |
carve |
Artistic features in Assyrian sculpture |
M.D. Ali Al-Kanani |
carve |
|
45 |
Qasim Nasser Menati |
carve |
Symbol in contemporary Iraqi sculpture |
M.D. Ali Al-Kanani |
carve |